Universität Bamberg
Suche öffnen
Sie befinden sich hier:

Fakultät Humanwissenschaften

Lehrstuhl für Allgemeine Psychologie und Methodenlehre

  1.  Otto-Friedrich-Universität Bamberg
  2. Fakultäten
  3. Humanwissenschaften
  4. Institute
  5. Psychologie
  6. Lehrstuhl für Allgemeine Psychologie und Methodenlehre
  7. Wissenschaftliche Mitarbeitende
  8. Dr. Vera M. Hesslinger

Dr. Vera M. Hesslinger

Kontakt

Otto-Friedrich-Universität Bamberg
Lehrstuhl für Allgemeine Psychologie und Methodenlehre
Markusplatz 3
96047 Bamberg

Fon: +49 (0)951 863-1961
vera.hesslinger(at)uni-bamberg.de

Raum: M3/219
Sprechzeiten: nach Vereinbarung (per e-Mail)

Lehre (Sommer 2023)

Seminar: Beobachtungsübungen

Forschung

  • Wahrnehmen und Erleben von Kunst
  • Beobachtungseffekte
  • Wahrnehmung in sozialen Kontexten
  • Kognitive Karten

Promotion (PhD)

Vera Hesslinger promovierte an der Johannes Gutenberg Universität Mainz (Abteilung Allgemeine Experimentelle Psychologie) unter Betreuung von Univ.-Prof. Dr. Heiko Hecht

Artikel (peer-reviewed)

Carbon, C. C., Utz, S., & Hesslinger, V. M. (2022). Less is More: Perception as a fun way to Rich Minimalism. I-Perception, 13(2), 1-5. {IF=1.588}

Muth, C., Hesslinger, V. M., & Carbon, C. C. (2018). Variants of Semantic Instability (SeIns) in the arts. A classification study based on experiential reports. Psychology of Aesthetics, Creativity, and the Arts, 12(1), 11-23. {IF=2.224}

Hesslinger, V. M., Carbon, C. C., & Hecht, H. (2017). The sense of being watched is modulated by arousal and duration of the perceptual episode. i-Perception, 8(6), 1-11. {IF=1.051}

Hesslinger, V. M., Carbon, C. C., & Hecht, H. (2017). Social factors in aesthetics: Social conformity pressure and a sense of being watched affect aesthetic judgments. i-Perception, 8, 1-16. {IF=1.051}

Hesslinger, V. M. & Carbon, C. C. (2016). #TheDress: The role of illumination information and individual differences in the psychophysics of perceiving white‐blue ambiguities. i-Perception, 7(2), 1-10. {IF=1.831}

Hesslinger, V. M., Goldbach, L., & Carbon, C. C. (2015). Men in red: A reexamination of the red-attractiveness effect. Psychonomic Bulletin & Review, 22(4), 1142-1148. {IF=2.986}

Carbon, C. C., & Hesslinger, V. M. (2015). Restoring depth to Leonardo’s Mona Lisa. Was La Gioconda the model for one of the world’s earliest attempts at three-dimensional imaging? American Scientist, 103(6), 404-409. {IF=0.556}

Muth, C., Hesslinger, V. M., &  Carbon, C. C. (2015). The Appeal of Challenge in the Perception of Art: How Ambiguity, Solvability of Ambiguity and the Opportunity for Insight Affect Appreciation. Psychology of Aesthetics, Creativity, and the Arts. {IF= 1.787}

Carbon, C. C. & Hesslinger, V. M. (2015). Stable aesthetic standards delusion: Changing “artistic quality” by elaboration. Perception, 43(9), 1006-1013. {IF=1.311}

Carbon, C. C. & Hesslinger, V. M. (2015). On the nature of the background behind Mona Lisa. Leonardo, 48(2), 182-184. {IF=n.a.}

Carbon, C. C., & Hesslinger, V. M. (2013). Da Vinci’s Mona Lisa entering the next dimension. Perception, 42(8), 887-893. {IF=1.311}

Carbon, C. C., & Hesslinger, V. M. (2013). Attitudes and cognitive distances: On the non-unitary and flexible nature of cognitive maps. Advances in Cognitive Psychology, 9(3), 121-129. {IF=n.a.}

Carbon, C. C., & Hesslinger, V. M. (2013). Navigating through a volumetric world does not imply needing a full 3D-representation. Behavioral Brain Sciences, 36, 547-548 {IF=25.056}

Carbon, C. C., & Hesslinger, V. M. (2011). Bateson et al.’s (2006) Cues-of-being-watched paradigm revisited. Swiss Journal of Psychology, 70(4), 203-210. {IF=1.024}

Abstract Publikationen

Carbon, C. C. & Hesslinger, V. M. (2019). Experiencing ASMR: About the phenomenology of video sequences that trigger excitement and subsequent relaxation. Perception, 48(S2), 97-97.

Hesslinger, V. M., & Carbon, C. C. (2015). Testing several hypotheses for dissociate colour perception on #TheDress. Perception, 44(S1), 148-148.

Carbon, C. C. & Hesslinger (2014). Analyzing artworks by means of vision sciences: the case of two Mona Lisas generating a stereogram. Perception, 43(S), 9-9.

Hesslinger, V., & Carbon, C. C. (2014). Red card for red: Questioning the positive effect of the colour red on male attractiveness. Perception, 43(S), 156-156.

Hesslinger, V. M., & Carbon, C. (2013). Who is the best Gioconda of them all? On the relativity of artistic quality caused by prior visual elaboration. Perception, 42(S), 103-103.

López Hernan Perez, T., Carbon, C. C., & Hesslinger, V. (2012). High-level color adaptation for familiar objects. Perception, 41(S), 184-184.

Harsanyi, G., Raab, M., Hesslinger, V., Düclos, D., Zink, J., & Carbon, C. C. (2012). The face of terrorism: Stereotypical Muslim facial attributes evoke implicit perception of threat. Perception, 41(S), 111-111.

Luedtke, R. A., Hesslinger, V. M., & Carbon, C. C. (2012). Different facets of facial attractiveness: Specification of the relationship between attractiveness, beauty, prettiness and sexual attraction. Perception, 41(S), 116-116.

Hesslinger, V. M., & Görlitz, R., & Carbon, C. C. (2012). What 80 Lisas can reveal about Leonardo’s Mona Lisa: One step further in demystifying La Gioconda’s absorbing smile. Perception, 41(S), 232-232.

Hesslinger, V., & Carbon, C. C. (2011). Dynamics in aesthetic appreciation: Differential effects for average and non-average natural stimuli. Perception, 40(S), 222-222 {IF=1.293}

Hesslinger, V., & Carbon, C. C. (2010). Cues of being watched enhance pro-social attitudes. Perception, 39(S), 93-93 {IF=1.360}.

Weitere wissenschaftliche Beiträge

Müller, T. E., & Hesslinger, V. M. (2022). Lack or abundance? A cross-cultural study on the perception of emptiness in simple architectural spaces. Poster presentation at the 8th Visual Science of Art Conference (VSAC), Amsterdam/Netherlands (24.08.-27.08.2022).

Hesslinger, V. M., Pieper, L. K., & Carbon, C. C. (2022). Greater than the sum of its components: Exploring differences in analytic and synthetic art perception. Poster presentation at the 8th Visual Science of Art Conference (VSAC), Amsterdam/Netherlands (24.08.-27.08.2022).

Pieper, L. K., Hesslinger, V. M., & Carbon, C. C. (2022). Two sides of Fechner’s Medal – Investigating differences in the experience of design objects depending on personal narratives vs formal descriptions. Poster presentation at the 8th Visual Science of Art Conference (VSAC), Amsterdam/Netherlands (24.08.-27.08.2022).

Carbon, C. C., & Hesslinger, V. M. (2016). How we can solidly solve a couple of so-called “mysteries” of the Mona Lisa by means of psychological methodology. Invited address at the 31st International Congress of Psychology (ICP), Yokohama/Japan (24.07.-29.07.2016).

Muth, C., Hesslinger, V. M. & Carbon, C. C. (2015). Unsolvable, yet insightful: The appeal of indeterminate and ambiguous artworks. Poster presentation at the 38th European Conference on Visual Perception (ECVP), Liverpool/England (23.08.-27.08.2015).

Luedtke, R. A., Hesslinger, V. M., &Carbon, C. C. (2013). Attractiveness, beauty, prettiness and sexual attraction as different facets of facial attractiveness, 55.Tagung experimentell arbeitender Psychologen (TEAP), Vienna/Austria (24.03.2013-27.03.2013).

Harsanyi, H., Raab, M., Hesslinger, V. M., Düclos, D., Zink, J., & Carbon, C. C. (2013). Osama bin Laden is still alive – An implicit profile of disfavor against faces with stereotypical Muslim attributes, 55.Tagung experimentell arbeitender Psychologen (TEAP), Vienna/Austria (24.03.2013-27.03.2013).